Article by Sebastian Wang.

Excerpts:

It is a strange age when ugliness is redefined as inclusion. When Canterbury Cathedral — seat of St Augustine, cradle of English Christianity, a place where kings once trembled before God — is reduced to a billboard for discontent and self-pity, one begins to understand how deep the spiritual rot now runs.

The true scandal is not the graffiti itself but the fact that the clergy are proud of it.

It is not a church but a performance venue with a cross on the roof.

When the Church chooses ugliness, she teaches a lie about herself and about God.