Category Archives: Art

The Snow White Disney Doesn’t Want You To Know 

Presentation by Jordan Peterson.

From the video description:

Dr. Jordan Peterson offers a psychological and cultural analysis of the Grimm Brothers’ Snow White, using it as a lens to explore evolutionary biology, female status hierarchies, fertility suppression, and the pathology of the “evil queen” archetype. Drawing on research in primatology and cultural commentary, Peterson connects ancient folklore to modern dynamics—critiquing contemporary feminist ideologies, careerism, and generational envy, while upholding the redemptive power of masculine responsibility in narrative tradition (and real life). Part myth, part science, part cultural autopsy—this is the synthesis of one of Peterson’s most impactful tenants: stories matter, and fundamental stories reiterate across time.

Paddington: patron saint of the liberal elites

Article by Joanna Williams.

Excerpt:

Paddington is, we are told, a representative of diverse Britishness. But this is bizarre. Unable to name real historical heroes, including the many Brits of migrant backgrounds who have made their mark, the cultural elites resort to celebrating a fictional character. It’s as if these people are unable to make the case either for British values or mass migration and so hide behind poor old Paddington.

Perhaps the very attraction of Paddington as a national symbol over, say, Shakespeare or Churchill, rests on the fact that he is made up. Real people exist within a particular time period and tend to reflect that era’s values. Real people often have messy personal lives – few of us are unambiguously good or bad. But moral purity and all manner of values can be ascribed to fictional bears. They never disappoint.

Woodstock for the Adventurous and Responsible 

Jordan Peterson interviews Bret Weinstein and Heather Heying.

Stuff about “narratives” starts at about 40 minutes in.

Content:

(0:35) Intro (3:36) Bret and Heather at Peterson Academy (6:19) The social media approach to learning: iterative feedback (12:01) Combating the evolution of corruption (17:37) The benefits of recorded lectures, future goals for in-person conventions (20:27) Cost of entry, managing bad actors, and the hierarchy of curation (26:04) Why Hillsdale College has a 1% dropout rate in the first year (30:36) The difference between censorship and refereeing, leveraging evolution to continuously self-improve (32:58) Elon Musk: adapting solutions faster than those who seek to game the system (34:45) The orthodoxy of the past and predicting the future (36:21) Rescue the Republic – “We’re hoping this will be an event the way Woodstock was a music festival” (40:02) The propositional must be surrounded by the imagistic, the opportunity for discovery (42:14) Propositional intelligence — and what actually makes you wise (45:57) The edge traversed by comedians, the advent of the laugh track (53:03) The radical distortion of music, “music used to be a living entity” (57:35) Putting forth the pillars of our civilization, the exhausted middle (1:00:14) A secular thinker on the spiritual battle we are all engaged in (1:04:11) The necessity of narrative, translating for the secular (1:09:49) The title toward the demonic, using AI to map the pattern of the Logos (1:11:16) Prayer, revelation, and the spirit of the question (1:14:25) Brick-in-the-wall science, hypothesis generation (1:17:59) The relation between openness and divergent associations, hierarchies of mutational repair (1:20:49) A new convergence on a shared perspective, the need of God to answer prayers (1:22:50) Richard Dawkins, winning with your own audience rather than making substantive progress (1:27:41) What the ancients knew about the delusion of being, metaphorical models in science (1:34:40) Dawkins’ one error in “The Selfish Gene”

Prelude to ‘Lohengrin’

One of my favourite music pieces

This (mostly) serene yet powerful and profound piece of music was composed by Richard Wagner sometime between 1845 and 1848.

Here it is, with an orchestra conducted by Simon Rattle (9 minutes).

Here‘s the Wikipedia entry on the whole opera.

Here‘s the synopsis on the same page.

Summary of the synopsis:

The people of the Brabant are divided by quarrels and political infighting; also, a devious hostile power left over from the region’s pagan past is seeking to subvert the prevailing monotheistic government and to return Brabant to pagan rule. A mysterious knight, sent by God and possessing superhuman charisma and fighting ability, arrives to unite and strengthen the people, and to defend the innocent noblewoman Elsa from a false accusation of murder, but he imposes a condition: the people must follow him without knowing his identity. Elsa in particular must never ask his name, or his heritage, or his origin. The conspirators attempt to undermine her faith in her rescuer, to create doubt among the people, and to force him to leave.

Lessons from Watership Down: What Rabbits Can Teach the Church

Article by Christian Leithart.

From the conclusion:

The way to keep our senses sharp, says Hauerwas, is to constantly remind ourselves of danger through telling true stories. For the church, these true stories are about suffering, death, and resurrection. This is the good news with which we transform culture and bring life to the cities of men. A Christian—or a rabbit—can never be complacent. As the agents of God in the world, we too are called to take up the cross.